Page 12 - My FlipBook

INDEX Page numbers in bold indicate an image caption.

aerial filming, 65–67 drones, 77, 82 ecosystems and herring roe, 18, 21, 73
drones, 77, 82 film stock, 67 and herring roe, 21, 73 impact of oil spill, 45
Archer, Tim, 29, 72 GoPro, 49 and keystone species, 16, language preservation, 51
about, 35, 81 on land, 75, 78–79 17 and stewardship, 20–23,
and sound recording, 43, maintenance, 71, 74, 77 protection of, 38, 89–90 28, 91
46, 76, 83–84 need for backup, 81 reintroduction of sea and wolves, 46
wildlife encounters, setting up a shot, 52–53, 61 otters, 34 fishing practices, 20–21,
83, 86 slow-motion, 26 web of life, 43 28–29, 30
underwater, 24–25, 30–31 ecotourism, 58, 60, 91 foundation species, 18
bears. See also spirit bear wireless, 61 equipment. See also camera freshwater and young
black, 10, 50, 85 Canada equipment salmon, 15
diet, 16–17, 26 and First Nations scooters, 18
grizzly, 7, 11, 50, 51, 85, 87 peoples, 29–30 waders, 9, 75 genetic diversity, 45, 51, 56,
habitat, 47, 50 protection of rainforest, 57
rub trees, 51, 52–53 90 film crew, 8, 35, 70–74, 88 ghost bear. See spirit bear
sound recording of, 46, Canadian Shore (boat), 71, 74 filmmaking. See also Gitga’at First Nation, 58,
83–84 Clifton, Johnny, 64 camera equipment 63–64
study of, 51, 56, 57 climate change, 34, 46 dangers of, 24–26, 30–31, Goertzen, Benjamin, 80
tourism, 58, 60, 91 conservation 74–76 Great Bear Rainforest
trophy hunting, 56–57 and climate change, 34, a day’s shoot, 76–80 coastline, 39
as umbrella species, 45 46 imax filming, 8, 66, 85 estuaries, 7, 51, 54–55, 58
Bella Bella, 7, 45 and genetic study, 51, 56, at isolated locations, 71 mountain barrier, 65
boats 57 locating wildlife, 35, 49 protection of, 28–30, 38,
deckhand’s job, 80 of herring population, 21, teamwork, 70–74 89–92
and film crew, 28, 71–74 28, 30 underwater, 18, 24–25, 27, rainstorms, 57
and storms, 76, 82 of marine environment, 29, 30–31 and the salmon runs, 17,
Brown, Frank, 22, 28 38 use of boats, 28, 29, 26
Brown, Saul, 18, 22, 23, protected species, 34 70–72 sounds of, 43, 46
28, 91 and public awareness, 8, and weather conditions, temperate forest, 7, 8,
87, 89–92 74–76 40–41, 82
camera equipment. See also trophy hunting, 30, 56–57 First Nations Great Bear Rainforest (film)
sound recording Crozier, Haley, 77, 82, 83 and bear tourism, 58, 60, editing process, 11
advances in, 11, 26, 61 63–64, 91 film crew, 8, 35, 70–74,
aerial filming, 65–67 Dalrymple, Brian, 29, 74, and colonization, 29–30 76–80, 88
carrying of, 48, 49, 77 77, 79 culture, 29–30, 44, 46, filming in sensitive
digital technology, 11 diving, 24–25, 27, 29, 30–31 51–52 manner, 57

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