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to visit. It’s also one of the main reasons why it’s so wild. But even remote

                                                                       places like the Great Bear Rainforest face an uncertain future as more and
                                                                       more of the world’s natural resources are harvested.
                                                                           While some adventurous travelers have visited this rainforest to
                                                                       see the rare white spirit bear—and others to hunt its black and grizzly

                                                                       cousins—it has been challenging to share this place of beauty and bounty
                                                                       with the outside world.
                                                                           With this in mind, in 2016, work began on the filming of Great Bear
                                                                       Rainforest. A longtime passion project of photographer and conservation

                                                                       leader Ian McAllister, the film took almost twenty years to complete, from
                                                                                                                      ®
                                                                       shaping the initial idea to shooting the last imax  reel.
                                                                           “We are a visual species,” says Ian, “and as a conservationist I have
                                                                       always believed that visual storytelling is one of the best ways to inspire

                                                                       people to protect a place.”
                                                                           Working with a skilled team of filmmakers, producers, audio and
                                                                       video experts, First Nations, helicopter and drone pilots, deckhands
                                                                       and crew members, Ian has made his dream of sharing this exquisite

                                                                       place with the world come true. “The challenge of making a film for the
      Temperate rainforests are one of the rarest forest types in the world.
                                                                       massive imax screen is considerable in the most predictable and staged
                                                                       situations,” Ian says. “But attempting one in such a remote landscape
                                                                       with some of the most elusive wildlife on the planet elevates it to a whole

                                                                       new level.”
         CREW QUIP:                                                        Now the Great Bear Rainforest is accessible to everyone, in excep-
         This is so different from most films that have ever           tional, immersive quality on the giant screen.
         been done for imax, which are for the most part quite
         prescribed because of the technology and the expense.             Come. Enter. Enjoy. Learn and delight. Be awed, and see for yourself
         This is really one of the first films made for the giant      why this untamed outpost—fragile, wild, unbroken—is worth preserving.
         screen where a crew just went out and filmed the wild-
         ness of a vast coastline. We were really fortunate to have
         the ability to do that.                                       BRINGING THE GREAT BEAR TO THE GIANT SCREEN

         —Ian McAllister, photographer and filmmaker                   Ian carried the idea of the Great Bear Rainforest film around for nearly
                                                                       twenty years, pitching it to whoever would listen. He knew that the best
                                                                       way to improve conservation in the rainforest would be to put the story
                                                                       right in front of people’s eyes. “There is no other format that could do

                                                                       justice to a place like the Great Bear Rainforest,” he says, “other than on
                                                                       a giant screen with twelve-channel sound that really showcased its gran-
                                                                       deur and scale.”
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